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Initial position statements should be no more than 1250 words.Position statements of up to 2500 words including notes will be accepted for the proceedings (submission to the proceedings is optional).Abstracts for round tables should summarize the position to be taken.Papers may not have been previously published, nor presented in public. All abstracts will be held in confidence during the selection process.Chairs may suggest editorial revisions to a paper or position in order to make it satisfy session or round table guidelines and will return it with comments to the speaker by 15 March 2018.Chairs reserve the right to withhold a paper or discussion position from the program if the speaker has refused to comply with these guidelines.We are interested in the different channels through which knowledge of “Eastern” architecture was obtained, communicated and conceptualized (travelogues, diaries, engravings).From the early 18th century onwards the Grand Tour became accessible to an ever larger group of travellers.
Each discussant will have 10 minutes to present a position.Submissions of paper proposals and roundtable discussions to session chairs: Communication by session chairs of acceptance or rejection and comments on accepted abstracts: Submission of Final Edited Abstracts to Session and Conference Chairs: Submission of Complete Draft of Paper or Position Statement to Session Chairs: Comments on Papers and Position Statements to be Returned by Session Chairs: Submission of Final Paper or Position Statement to Chair and, if to be included in Conference Proceeding, to Conference Chair: Richard J.Williams, University of Edinburgh, Edinburgh College of Art, [email protected] Edward Hollis, University of Edinburgh, Edinburgh College of Art, [email protected] Since the early 2000s, the concept of ‘creativity’ has had immense political traction in the most developed parts of the world, and it has led to the production of new forms of architectural space: creative hubs, incubators, live/work spaces, ‘labs’, and office buildings that seem to be entirely devoted to play.Abstracts for session presentations should define the subject and summarize the argument to be made in the presented paper.The content of that paper should be the product of well-documented original research that is primarily analytical and interpretive rather than descriptive.
What have been the lived experiences of these architectures of creativity?